50 Greats For The Piano Pdf 17
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How to Play 50 Greats for the Piano
If you are looking for a collection of classical piano pieces that range from easy to intermediate level, you might want to check out 50 Greats for the Piano, a book published by Yamaha Music Media Corp. This book contains 50 famous compositions by various composers, such as Bach, Mozart, Beethoven, Chopin, Debussy, and more. You can find the PDF version of this book online for free on Scribd[^1^], Internet Archive[^2^], or iDoc[^3^]. Here are some tips on how to play some of the pieces in this book.
Invention No. 1 and Invention No. 8 by J.S. Bach: These are two of the 15 two-part inventions that Bach wrote for his students. They are exercises in counterpoint, which means that each hand plays an independent melody that harmonizes with the other. To play these pieces well, you need to practice each hand separately until you can play them smoothly and evenly. Then, you need to pay attention to the balance between the hands, making sure that neither melody is too loud or too soft. You also need to follow the articulation marks, such as slurs and staccatos, to create contrast and expression.
Le Coucou by L-C. Daquin: This is a playful piece that imitates the sound of a cuckoo bird. The main challenge of this piece is to play the repeated notes in the right hand with clarity and agility. You need to use a light and relaxed wrist motion to avoid tension and fatigue. You also need to coordinate the left hand chords with the right hand melody, making sure that they are in sync and not too loud. You can add some dynamics and rubato to make the piece more expressive.
Piano Sonata No. 15 K.545 1st mov. by W.A. Mozart: This is one of Mozart's most popular piano sonatas, also known as the \"easy\" sonata. However, it is not as easy as it seems, as it requires a lot of control and precision. To play this piece well, you need to play with a clear and crisp tone, avoiding any blurring or smudging of the notes. You also need to play with a steady tempo and rhythm, avoiding any rushing or dragging. You can use some pedal sparingly to connect some phrases, but be careful not to overuse it or make the sound too muddy. You also need to pay attention to the phrasing and dynamics, making sure that you follow Mozart's markings and bring out the musicality of the piece.
FÃr Elise by L.v. Beethoven: This is one of Beethoven's most famous pieces, and one of the first pieces that many piano students learn. However, it is not as simple as it looks, as it has some tricky sections that require good technique and coordination. To play this piece well, you need to master the opening theme, which consists of a series of broken chords in the right hand and a single note in the left hand. You need to play these chords with accuracy and evenness, making sure that each note is clear and balanced. You also need to play with a smooth legato touch, using some pedal to connect the notes. You also need to practice the middle section, which has some fast runs and arpeggios in both hands. You need to play these passages with agility and fluency, using a light finger motion and a flexible wrist. You also need to pay attention to the dynamics and expression marks, making sure that you create contrast and drama in the piece.
Nocturne Op. 9 No. 2 by F.F. Chopin: This is one of Chopin's most beautiful nocturnes, which are pieces inspired by the night and often have a lyrical and romantic mood. To play this piece well, you need to master the right hand melody, which has a lot of ornaments and embellishments, such as trills, turns, grace notes, and mordents. You need to play these ornaments with grace and elegance, making sure that they fit smoothly into the melody and do not disrupt the flow or rhythm. aa16f39245
